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Also see the terms for Sword Shinsa Certifications & Visual Japanese Sword Glossary |
Select term by first letter: A | B | C | D | E | F | G | H | I | J | K | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

AGARI TACHI OR GITO Toy-like ceremonial imitation sword.
AHIOTORU Reheating the edge after a poor tempering job.
AI Tempering.
AIKUCHI Tanto up to 1 foot long mounted without tsuba (guard).
Same as Kusungobu (9.5 sun) tanto and yoroi-doshi sometimes mounted this way.
AITORI Mild heating to neutralize strains after hardening the edge.
AIZUCHI Hammer men-3 to each smith.
1. Tsuchigashira - head man
2. Nakazuchi - middle brother.
3. Otozuchi - younger brother.
AKIHAGI no TSUYU A dew-like spot on yakiba or hamon.
AMAKUNIGARA Horimono carving of dragon wrapped around sword.
AMANURU KANE Steel by Nio Kiyotsuna of Suwo province appears weak and has dark or whitish patches on the surface.
AOBIE A short bamboo sword.
AOBUCHI ( blue pool) Dark blue steel with whirlpool grain, from Soshu.
AOI hollyhock, commonly used as a Mon
AOGOKORO Bizen blades having characteristics of Bitchu Aoe blades.
AOSAN no MITSUKE Straight temper lines by Bizen Sanenaga and Shogen Nagamitsu resembling those of Bitchu Aoe and Bingo Mihara smiths.
AOYAKI no KITAE A white gold line along dark ji portion of blade.
ARA-NIE coarse or large nie (Large nie crystals)
ARARE no MIDARE A hamon typical of old Hoki Yasutsuna or Sanemori schools . Small irregular lines mixed here and there in the hamon.
ARASHIAGE The rough finishing on a sword.
ARATOGI Roughly sharpening a sword by the smith before tempering.
ARATOMATSU Stone powder mixed with clay used in hardening.
ASAI-NOTARE A shallow undulating hamon.
ASAGIDO A grindstone formerly used for swords.
ASASHI Shallow as in shallow back angle or shallow nie appearance.
ASHI Leg or foot. Short lines extending from patterns of nie or nioi.
ASHI SADAMARU A steady hamon pattern either straight or wavy.
ASHI-NAGA Long ashi.
ASHIGITAE A method of folding steel in the forging process.
ASHINAGA CHOJI Choji ( clove seed pattern) with long legs.
(Ashinaga was a mythical person with very long legs.)
ASOBI KOKORO Mixed Yamashiro and Yoshioka Ichimonji choji patterns.
ASOBI TAMA Round gem-like hard spots along hamon of certain smiths.
ATOBI Grooves in a sword carved later by other than the original smith.
ATOBORI Horimono carvings added later to decorate or to hide defects.
ATO MEI signature added at a later date
AWASE-DO Whetstone.
AWASE HADA Joined lines seen on Bizen blades or on other blades that have been ground down to look like old blades.
AYASUGI A wavy grain made by gouging the steel with a round nose chisel, then hammering flat. Mostly by Gassan and Satsuma Naminohira smiths.
AZUKI MIDARE Temper line like a row of small beans.
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BAGAI-MONO Blades made by lower than middle class sub-groups.
BAKUFU Military government of the Shogun
BATTO Drawing a sword for action.
BIZEN Archaic province of Japan, modern day Okayama prefecture
BIZEN-TO Swords produced in Bizen
BIZEN-ZORI Deep curvature close to the tang area of the sword; also known as koshi-zori
BOHI Wide groove almost fitting shinogi surface.
BOHI SOYEBI Wide groove beside a narrow groove.
BOKKEN Wooden sword for practicing sword kata
BOKU-TO Imitation sword of wood carried by a doctor.
BONJI Priest characters. Sanscrit invocations to the Gods.
BOSHI Shape of temper line at the kissaki (point).
BOSHI AGARU Loss of boshi by broken point or other causes.
BOSHIGATA Very smooth small round boshi of Yamashiro style.
BOSHISAKI The very tip of the boshi temper line.
BOTAN BA A peony flower pattern in the hamon about 6 inches below the point in blades by Chikuzen Sa.
BOTAN-UTSURI Peony flower shape reflections appearing in Bizen blades around 1250 to 1330.
BO-UTSURI Stick-like faint rainbow reflections on surface.
BU Japanese measurement (approx 0.1 inch)
BUDACHI Common name for all army swords.
BUGEI Military arts use of sword, etc.
BUEITO Military sword. Mostly old ceremonial tachi types.
BU JIN "People of the Samurai Spirit." A philosophy of honor, respect, and contemplation of life's mysteries developed in both women and men, and the people who lived by the samurai code.
BUKE Military men, Samurai.
BUNDO-BA Scale weights pattern hamon.
BUNKACHO-CHOKAN-SHO The agency for Cultural Affairs Chairman Award given at the annual swordsmiths' exhibition
BUN no KITAE Back half of blade surface is faintly white. Appears on many shobu-zukuri daggers. Characteristic of Bingo smiths.
BUSHIDO A code of ethics and moral principles for Samurai. The first works were by Yamaga Soko (1622-85) in Bukyo (The Warrior Creed) and Shido (The Warrior's Way).
BUSHI Another term for samurai - the warrior class
BUWO TACHI Sword type of about 750 AD for a Chinese style dance.
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CHABANA MIDARE Choji with tops rounded like tea flower petals.
CHIBURI The act of slinging blood off the blade before re-scabbarding.
CHIGAU MIDARE Oblique hamon of Bitchu blades.
CHIGUSA Steel of .7 to .8% carbon. Produced in Harima.
CHIISA KATANA A general term for all swords shorter than the katana but also used to indicate a length between wakizashi and standard katana, but also used to indicate a length between wakizashi and standard katana.
CHIJI KOMASAME Undulating fine straight grain of Suwo Nio smiths.
CHIJI MIDARE Wrinkled irregular hamon by Miike & Kongobyoe groups.
CHIKEI A clear gray short thin curved line along the surface grain appearing to be below the surface. Similar to kinsuji or inazuma.
CHIKUTO A bamboo sword. Also, a bamboo fencing sword. In olden times a bamboo knife was used to cut the umbilical cord of new-born babies.
CHIRI The narrow surface on either side of a groove. Kata-chiri- one side surface; roy-chiri double edge surface.
CHIISA KATANA short katana
CHOJI Clove seed shape folds in hamon. Many varieties.
CHOJI-MIDARE Clove shapes mixed with irregular patterns in hamon.
CHOJI KAGE Clove pattern with shiny sports that seem like shadows.
CHOJI OIL Oil for the care of swords
CHOKUTO Prehistoric straight single edge sword found in burial mounds.
CHU medium
CHU-HANDACHI Medium length tachi.
CHU-KISSAKI medium sized point (kissaki)
CHU-SUGUBA Medium width straight hamon.( Follows curve of sword.)
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DABIRA-HIRO Wide broad-sword.
DABIRA-SEBA Narrow board-sword.
DAI great or large
DAI-MEI student smith signing his teacher's name
DAIJIRI Boshi turn-back that resembles a gun butt
DAIMYO feudal lord
DAISHO (Large-small) A matched pair of swords or fittings for same.
DAITO Long sword (over 24 inches)
DAI TSUKE Appraised values of swords.
In the Ashikaga period values were given in oban large gold pieces. In Tempo (1630) the books used koban- small gold pieces 1/10 oban. Later in yen worth from US $.50 to.35 just before the war. Post war values are in units of 10,000 yen worth $28.00 but these are set by dealers and are purely fictitious to help sell swords.
DAMBIRA or Danpira, or Dabira Very wide blade.
DANDANBA Alternate 3 lengths of komidare and large choji.
DATTO Not wearing a sword.
DE-AI-ZASHI A low rated sword for every day wear. (Tsunezashi)
DENAORI Re-tempered blades.
DENCHU-ZASHI Sword for palace wear.
DENGAKU YAKI Use of a large fan instead of bellows to burn the charcoal in tempering by Yokoyama Kozuke Daijo Sukesada.
DO The way.; The mid-section target in Kendo (stomach).
DOGANE A metal band around a sword handle.
DOKEN & HOKO Cooper swords and daggers of the bronze age.
DORAN or TORAN High wave patterns of hamon.
DOYO no JUKA Double choji patterns of varying size along sword.
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EBIRA KATANA Extra long sword carried on the back. (Seoi katana)
EBOSHIGATA Boshi pattern that looks like court head gear.
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FUCHI collar on hilt
FUCHI-KASHIRA set of hilt collar (fuchi) and butt cap (kashira)
FUHA Tiny cracks in yakiba characteristic of Awa Kaibu Group
FUKI-OROSHI A kind of smelted iron- same as Oroshi- tetsu.
FUKURA The cutting edge of the blade kissaki (point). Several shapes:
FUKURA-KAKU Sharply curved point.
FUKURA-KARERU Straight edge point.
FUKURA-SUGU Nearly straight edge point.
FUKURA-TSUKU Curved edge point.
FUKURA KOKORO Boshi line characteristic of Yamato smiths.
FUKURE wo FUSERU Smoothing small swellings on blade surface.
FUKURE Flaw; usually a blister in the steel
FUKURIN Rim cover of a tsuba
FUKURO CHOJI Bag shape choji similar to tadpole shape.
FUNAGATA Ship bottom shaped nakago (tang).
FUNBARI Blade becoming noticeably wider near the base notch.
FURISODE A tang shape with the end deeply curved toward the back side which resembles a kimono sleeve.
FURMICHI Irregular thickness of choji outline by Bizen Mitsutada.
FUSHIBA Pointed knot-like breaks in a straight hamon on Mino blades.
FUTAEBA Double hamon on Bitchu and Bingo blades or re-tempered.
FUTAE BOSHI Double hamon in point including turn-back. Appears only on blades by Sadamune, Higo Kuniyoshi & Fujishima Tomoshige.
FUTAMATA YARI A two pronged spear.
FUTASUJI BI Pair of identical grooves. Same as Nihon bi.
FUTAYE-BA Double line of nie and nioi.
FUTATOKORO MONO Matched set of kozuka and kogai on a sword.
FUTATSU-BA Paired choji on blades of Katayama Ichimonji Group.
FUTOKORO KATANA Tanto worn inside clothing. No tsuba, round end.
FUTO YASURI Coarse file marks.
FUTSU MUNE Roof shape back ridge. Same as Ihorimune.
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GAKU-MEI Signature from original tang inserted in shortened (o-suriage) tang.
GASSAN HADA Grain made by gouging with round chisel then flatten.
GENDAITO Traditionally forged sword blades by modern smiths before WWII
GENNOBA TETSU Steel of .3 to .4% carbon. Same Jami tetsu.
GIJOTO Ceremonial court swords with various styles of mountings which indicate the rank of the wearer. See books on koshirae.
GINBI KEN Ken shape sword with grooves.
GINKEN Common iron sword with silver plated fittings used as a gift.
GIMEI A false signature on a blade. Usually a copy of a famous smith to increase the sword's value.
GIN Silver
GIN no HA Silvery lines one to three inches long appearing along a straight temper line or on the surface of blades by Kagemitsu.
GINSUJI A slivery color kinsuji line in the yakiba.
GITO General term for ceremonial swords, mostly used to accompany money gifts. Same as agari-tachi, painted wood with gilt decorations.
GIO no KURIKARA Horimono of dragon twining around sword.
GISAKU HO Faked or forged blades.
GOBAN-KAJI 24 famous smiths selected to serve and instruct Emperor Gotoba, 1184-1210. Six more served him in exile on Oki Island.
GOKADEN The Five Schools of the Koto period
GOKENBA Peaked groups of 3 or 5 zigzags by Mino Seki no Magoroku.
GOMAE KITAE Five layer forging. Done by Bizen and Soshu schools.
GOMABASHI Chopstick grooves with claw underneath.
GOMEIKEN Five most famous swords . They are as follows:
1. Mikazuki Munechika by Sanjo kokaji Munechika
2. Onimaru Kunitsuna by Yamashiro Awataguchi Kunitsuna
3. Odenta by Miike Tenta Mitsuyo
4. Dojikiri Yasutsuna by Hoki no Yasutsuna
5. Juzumaru by Bitchu no Tsunetsugu
GOSHO-YAKI no TACHI Blades forged by Goban-kajis Tsuguiye and Tsugunobu, and tempered by Emperor Gotoba. Same as Kiku no Gosaku.
GONOME-MIDARE Irregularly undulating hamon
GUNOME undulating hamon
GUNTO army or military sword mountingsGUNTO Machine made blade in army or military sword mountings
GYAKU Reversed or angled back. ( In hamon patterns.)
GYAKU- ASHI Reversed slanted ashi in hamon.
GYAKU- CHOJI Slanted choji patterns in hamon.
GYAKU TAKANOHA Reversed takanoha file marks
GYOKEN OKIYO Position of Emperors sword on his left.
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HA Cutting edge of a sword.
HA AGARI KURIJIRI Irregular U shape tang end.
HABAKI Collar around blade above the tang to fit the blade securely into scabbard.
HABAKI-MOTO About 3 of blade adjacent to the habaki. ( Koshi) Also called temoto near the hand portion of blade.
HABAKI-SHITA Portion of blade covered by the habaki.
HABIKI An iron club used by a policeman. Same as Jite.
HA-BUCHI Border line between ji and yakiba.
HACHIWARA A short defensive rod called helmet breaker.
HADA Grain in steel, pattern of folding the steel
HADAKA TOMO TSURUGI General name for a thousand sword blades without mountings made in the time of Emperor Nintoku , 313 AD.
HAGANE Steel.
HAGARAMI A flaw.
HAGI no MIDARE A Soshu School temper line.
HAGI no TSUYU Nie crystals shining like dewdrops reflecting colors.
HAGIRE Edge cracks in the hamon (fatal flaw)
HAIKEN To wear sword. Same as HAITO
HAKAGE Reflection-like patterns among choji on blades of Nagamitsu.
HAKASE A sword being worn.
HAKE KOKORO Faded unclear boshi with nie like faint brush marks.
HAKI TACHI Tachi for everyday use. Length to suit the wearer.
HAKIZOE KODACHI - Short tachi worn with a long one.
HAKIZOE TACHI A second tachi when two are worn.
HAKKAKE or HAKIKAKE Effect like brushed lines along hamon.
HAKKAKERU Swept up effect on boshi lines. Same as Hakkake.
HAKO BA Box shape hamon. Bizen & Kaga schools.
HAKOGAKARITARU-MIDARE Very irregular hako, Mihara Group.
HAKO-MIDARE uneven box shaped hamon
HAKO MUNE Square back to sword.
HAKUJIN A naked blade.
HAMACHI Edge notch where blade joins tang. A stop for the habaki.
HAMIDASHI Tanto or dagger with a small guard (tsuba)
HAMAGURI Blade so thick as to resemble a clam shell outline.
HAMAGURI BA Thick all along the edge.
HAMIDASHI Tanto with small guard.
HAMIDASHI-MIDARE Irregular hamon tops extending into ji surface.
HAMADATSU Also called Kwaiken. A small woman's knife, usually fully tempered, used for protection and Jigai.
HAM-MITSU-KADO Junction of yokote and shinogi lines at point.
HAMON Temper pattern along blade edge
HANDACHI Tachi mountings used on a katana or wakizashi
HAN-GETSU Half-moon temper patterns in the yakiba surface.
HANKENSAKI Boshi line pointed like ken. Bitchu smiths.
HANABA Notches on hamon making irregular patterns.
HANAREBA Temper patterns on ji surface away from yakiba.
HANARURU NIE no FUJI no HANA Wisteria flower shapes of nie above or below the hamon.
HANA YAKIBA Irregular hamon patterns of Yamashiro Nobukuni blades.
HA no KAGE A darker shadow or reflection of a choji pattern.
HA no SORORI A Mino hamon of groups of large and of small patterns.
HANTACHI Semi-tachi mountings on a katana. Same as Handachi.
HANZASHI KOZUKA Small kozuka to fit a small tanto.
HARAKIRI Suicide by belly cutting. Same as seppuku.
HASU-YAKIBA Oblique hamon. Katayama Ichimonji Group.
HATARAKI activities or workings within the hamon or temperline
HA-TSUYA Edge luster, light color of yakiba- a stone for bringing out the proper color of the edge. (Paper thin finishing stones.)
HAZAKAI Boundary line between yakiba and ji.
HAZEYAKA Brightly shining surface nie crystals.
HAZURE Strays here and there along suguba hamon of Yamato blades.
HAZUYA Finger stones used to show the hamon and hada
HEIJO TACHI Military swords. Same as Buei-to.
HEI NAKAGO Straight tang with wide triangular end.
HESHI-TETSU HO A method of making sword steel from the lumps of iron produced smelting iron sand.
HEYAZASHI Sword carried in clothing.
HI or KESSO Grooves cut in a sword.
HIGAKI YASURIME Certain file marks on the tang.
HIKAGE Dark patterns on blade surface similar to choji utsuri.
HIJIKI HADA Dark sea-weed shape patterns on blade surface.
HIJIRI KATANA Short tanto with handle of reddish hard wood.
HIKI HADA Leather scabbard cover.
HIMO KATANA A short dagger. Same as Hishu and Himo kogatana.
HIMURA Unevenly chiseled groove caused by poor work or much polishing.
HI no KAKITOME Groove stopped near the base of a blade.
HIRA Flat surface of a blade.
HIRA no MITSUKE Wide thick blades of Awa Kaibu Group.
HIRA MUNE Flat back.
HIRA YAMAGATA Same as Kurijiri. Chestnut shape tang end.
HIRAZAYA TACHI A tachi not worn but placed in Imperial carriage.
HIRAZUKURI Flat surface blade without shinogi ridges.
HIRO SUGUBA Wide straight yakiba. ( Follows curvature of blade.)
HIRO-SUGUHA Wide, straight temper line (hamon)
HISAKI-AGARU Groove that reaches the point.
HISAKI-SAGARU Groove that does not reach the point.
HISHU Short dagger . Same as Tosa. Also called HISHU-GATANA.
HITATSURA Full temper pattern- scattered all over the blade.
HITOYE HABAKI One piece habaki, Nijuor wari 2 piece habaki.
HITSU or HITSU ANA One or two holes in a sword guard through which kozuka and / or kogai are inserted into pockets in the scabbard. Possibly hitsu may also mean the handle of a kozuka.
HIZUKURI - Final stage of forging in which the drawn out steel is shaped into the proper sword cross-section.
HO Kozuka blade.
HOCHO TETSU Soft steel of .1 to .3% carbon.
HOJI-MONO Blade re-tempered by a different smith at a later time.
HOKEN Ken shaped temple sword.
HOKKOKU HADA A faint whitish reflection covering the back surface of some blades by smiths of Echizen, Etchu, and Echigo provinces.
HOKKOKU-MIDARE A zigzag hamon mixed with pointed patterns.
HONAMI Name of the family of official appraisers.
HONAMI MEI Honami appraisal signatures in red or gold blades.
HONAMI TOGI Secret polishing method used by the Honami polishers.
HON KITAE or SEKI TETSU HO Initial forging for steel blocks to be combined into sword laminations.
HON-DZUKURI or SHINOGI-DZUKURI Normal blade with shinogi.
HONSANMAI GITAE A three blade lamination forging.
HORI DO SAKU Horimono was made by the same person that made the sword
HORIMONO Carving on blades.
HORIMONOSHI A professional carving artist.
HOSO KOGATANA - An ancient slim knife used by seal hunters. (Hososabi)
HOSOMI A slender blade. Also called HOSOMI ZUKURI no TACHI
HOSO SUGUBA Narrow straight yakiba. Same as Ito-suguba.
HOTSURE Strays along a hamon
HOTSURE HADA Disorderly mixture of straight & wood grain . Mino.
HOYAKEMONO Blade slightly damaged by fire. Characteristics:
- Temper line dim and blurred.
- Surface appearance glassy.
- Nie grains scattered on surface.
- Hamon disappears here and there
- Faded reflections on surface.
- Yakiba white but indistinct edge.
HOSHI Stars. Bright nie crystals in yakiba or hamon. Bitchu smiths.
HOSHI no YUBASHIRI Yubashiri spots that look like stars.
HOSO-DACHI Slim decorative ceremonial tachi not for actual use.
HOSOJI A narrow pointed boshi tip. Bizen and Soshu schools.
HOSO SABI Slim dagger mentioned in ancient books.
HYOTAN BA Hamon of gourd shape irregular patterns.
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I or I-SAKU Hobby make.
IBUSE Big round boshi on tachi of northern Japan.
ICHIMAE BOSHI The whole point tempered.
ICHI One or first
ICHIMAE GITAE Blades forged for one piece of steel . Higo Dotanuki.
ICHIMAI one-piece sword construction
ICHIMAI BOSHI point area (kissaki) that is fully tempered
ICHIMONJI Name of groups that signed just Ichi. (# 1 man!)
ICHIMONJI KAERI or ICHIMAI KAERI Horizontal return.
IHORI-MUNE Angle of back of sword low or high.
IKARI KISSAKI Large curve on point.
IKUBI Neck of wild boar . Almost no neck on kissaki.
IMONO TSURU Thick nie hamon line like sweet potato vine.
INAZUMA Lightening shape marks in yakiba or hada (a type of activity in the hamon).
IRO Color of hada and yakiba almost the same with hamon blurred. Bingo.
IROKOGATA Hamon like a row of fish scales.
IRO no OSHIE Clear sky-blue color of Yamashiro blades.
ISEKI BOSHI Boshi line stops at back edge or comes close to edge.
ISHIKE Stone-like impurities left in a blade.
ISSHAKU SANZUN Dagger 1 shaku 3 sun long.
ITAME wood grained hada
ITAME HADA NAGARU Ends of wood grain patterns stream out.
ITO silk or cotton hilt wrapping
ITOCHIKAKI Dim nioi in suguba hamon.
ITOGOKORO Bitchu hamon like a twisted thread.
I-no-ME BA Wild boar eve design in hamon by Hiromitsu.
ITOKEBA Twisted thread hamon with shiny nie here and there.
ITOMAKI NO TACHI tachi with top of saya wrapped with ito
ITO no SADAME Narrow suguba with thread-like nioi.
ITO no WAKACHI Very narrow straight line on some Yamato blades.
ITO SUGU Thin, thread like hamon
ITO SUGUBA or HOSO SUGUBA Narrow straight yakiba.
ITO wo HIKU Nioi line kile shiny silk thread.
ITSUTSU no HADA The five steel grain patterns:
1. Matsukawa Pine tree bark grain.
2. Mokume wood burl grain.
3. Nogi hada small tips of millet grain.
4. Kumo clouds white cloud-like mixed with blue.
5. Nashiji hada sliced pear surface grain.
ITSUTSU no IRO Five colors in judging steel:
1. Black a dark muddy color.
2. Asagiiro darker than sky blue.
3. Sky blue.
4. Whitish blue color.
5. Crystal clear blue color.
ITSUTSU no KANE Five points in judging steel:
1. Soft steel most common.
2. Tenacious steel forged soft steel.
3. Well tempered steel number 2 well tempered.
4. Tough and hard steel good for cutting edge.
5. Well purified steel.
IZUHA Steel from Izuha .8 to 1% carbon content.
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JAMI Steel with .3 to .4% carbon.
JI sword surface between the shinogi and the hamon
JI-GANE - surface steel
JIARE Surface of a tired blade polished too many times.
JIBA Small tempered spots projecting into surface from hamon.
JIFU Small whitish grain shapes like letters c, o, s, in the surface of Bizen blades.
JIFU no MAKIKOMI Coiled whitish stripe-like hamon patterns.
JIGAI Suicide by cutting the throat.
JIGANE Sword steels:
1. Hocho tetsu impure soft iron.
2. Oroshi tetsu lumps of iron from the smelting process.
3. Sen oroshi tetsu cast iron, white or gray.
4. Hagane oroshi tetsu a lump melted from sand iron ore.
5. Mizuheshi tetsu melted lump chilled by cold water and forged some.
6. Namban tetsu imported iron. Sword steels were made by mixing these.
JIGOSHI Strong hada pattern.
JI-HADA Surface texture course or fine of various patterns of hada.
JI HAN - GETSU Half moon patterns in ji.
JI IRO Colors of blade surface.
JIJAKUSHI Faint pattern on ji.
JI KONETSUCHI A clay-like texture in Higo Enju blades.
JINDACHI Same as tachi a long slung sword.
JI-NIE The frosty look of surface nie.
JI no TSUYU Gem-like spots shining like dew on Bizen Moriiye blades.
JIN TACHI A very long sword. Same as Jindachi.
JINTO A tachi for fighting. A war sword.
JIN WAKIZASHI Medium length sword worn with a tachi.
JISHO no HADA Fine grain like nashiji on early Bitchu blades.
JI-TSUYA Dark colors luster on ji surface.
JITTE Defensive rod with hook on the side carried by police.
JIYAKI Partially double hamon on Soshu blades.
JIZO BOSHI Boshi shaped like a priest's head
JIZO GASHIRA Boshi line resembling the shaven head of priest Jizo.
JIZOGATA Same as last. Most Mino blades have this.
JIZO HADA Fine grain with round clear dark spots. Bitchu blades.
JUKA Reheated or re-tempered blade.
JUKABA Large choji hamon of Kunisuke or Yoshimichi.
JUKA CHOJI Double choji pattern.
JUKA no SAKAASHI Ashi of juka choji slanting toward point.
JUMONJI no KITAE A cross-like pattern 6 below the point.
JUMONJI YARI a spear with doubled-edged cross blades
JUSAN no MITSUKE Thirteen points on blade appraisal:
1. Surface grains straight; burl; wood; plain.
2. Shapes long ; medium ; short, points large; medium; small.
3. Curvature even ; curved near base; curved near point.
4. Temper lines small, medium, large irregular; large, medium ,small waves; wide, medium, narrow straight yakiba.
5. Boshi shapes no turn-back; circle; flame; brushed; full temper.
6. Boshi turn-back deep, medium, short.
7. Shape of back roof shape; double; round.
8. Color of blade surface- blue; white; black.
9. Nie course ; medium; fine.
10. Nioi shallow ; deep; firm;
11. Color of tempered surface white, black.
12. Ridge ( shinogi) high ridge; wide shinogi surface; narrow surface.
13. Carvings deep; shallow.
JUTETSU The Ten Brilliant Pupils of Masamune: Rai Kunimitsu, Hasebe Kunishige, Kanemitsu, Shizu Kaneuji, Go Yoshihiro, Norishige, Naotsuna, Chogi (Nagayoshi), Sa and Kinju (Kaneshige).
JUTOE Officers in charge of Imperial Palace Guards in 760 AD.
JUYO KODOGU "important sword mountings"; a rank given by the N.B.T.H.K.
JUYO TOKEN highly important origami (certificate) for sword by N.B.T.H.K.
JUYO TOKEN TO ZUFU Annual publications of the N.B.T.H.K. in which a rubbing of the tang is printed and text is given for all blades and fittings which received Juyo ratings that year.
JUZU Hamon like rosary beads
JUZUBA Buddhist beads a form of gonome hamon.
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KABUTO helmet
KABUTO-GANE tachi style pommel cap
KABUTO- WARI Helmet breaker square pointed rod 12 long with hook. Kusunoki Masashige had one made by Masamune, hence all modern copies are inscribed in honor of Masamune.
KADOBA Same as hako-midare, a box like hamon pattern.
KAEN Flame shape boshi pattern.
KAERI Boshi turn-back
KAERBUKO Polliwog shape almost the same as choji.
KAGEHI Small groove beside a regular groove on a blade.
KAI GUNTO Naval sword produced during WW II.
KAI MIHARA Blades of Bingo Mihara School with full temper pattern.
KAI SHINOGI Meaning not clear, perhaps clam shell shape point.
KAI SHINOGI TACHI Tachi with thick round point.
KAESHIZUNO A hook shaped fitting used to lock the scabbard to the obi while drawing
KAJI Swordsmith; NIHON KAJI Japanese swordsmith
KAJIBI Grooves cut by the same smith who made the blade.
KAKARI Part of hamon frayed and run up toward the back of the blade.
KAKIHADA Fake sword. Acid imitation of yakiba and surface grain.
KAKIHAN Swordsmiths or tsuba makers below signature.
KAKI NAGASHI End of groove pointed.
KAKI-TOSHI Groove continuing to end of tang.
KAKU-DOME Square end of groove.
KAKU-MUNE Square back ridge of sword.
KAMAKURA-MONO Kamakura things A general term for blades made by Shintogo Kunimitsu, Yukimitsu, Masamune, Sadamine Group in Sagami province.
KAMASU KADO or KAMASU-ZUKURI Large point with straight edge.
KAMIKAZE divine wind, the providential typhoons which destroyed the Mongol fleet when they tried to invade Japan.
KAMISHIMO-ZASHI Daisho swords in conservative black mountings.
KAMURI JIZO Boshi point slants toward edge and fades out.
KAMURI OTOSHI Narrowed back for most of the length of the sword.
KANASUJI Chikei lines near the cutting edge.
KANA TOKU Anvil.
KANJI Japanese characters
KAN no HA A straight hamon continues straight to a little above yokote before curving with point, almost touching edge at that place.
KANMURI-OTOSHI Back ridge beveled like a naginata
KANTEI Study and appraisal of swords.
KANSEI no HA An irregular temper line that looks stern and has nie crystals in yakib